Up With The Sun: a MobileArtistry Feature
The Instagram-based group, MobileArtistry, includes me in their gallery today as a featured artist. I created this montage to be included there and offered the following writeup on my technique. Big thanks to MobileArtisty for including me - visit them on Tumblr, too.
Ever since seeing a book of Jerry Uelsmann’s photomontages in college, I’ve been fascinated with the art form and have since become motivated to become a professional graphic artist, designing for over 16 years now. Manipulating reality for artistic effect in Photoshop has always been my favorite part of designing, so when I discovered iPhoneography, and especially the appPhotoforge2, which is very similar to Photoshop, I was hooked. It was seeing the evocative iPhoneography of Sion Fullana that inspired me to give it a go, and Sion was even good enough to share his guidance with me on what apps to get started with.
How The Magic Happens
I basically take photos all the time with my iPhone 4 of whatever I find interesting. When the urge to create strikes, I’ll mix ‘em up and see what happens. It’s really as simple as that. Sometimes I know exactly where I’m headed, and other times I’m just along for the ride, letting magic from the universe do the driving.
For this montage, I combined two photos I took on a Saturday in late summer: one of a wig mannequin at a beauty supply shop, and another of a rising cloud at a winery out in the country. Both were shot originally in with Hipstamatic, using the John S. lens. Wig girl was shot with Rock BW-11 film, and the cloud was shot with Blanko film. You can see the originals at my Flickr stream.
I brought wig girl into Dynamic Light and gave her the Solarize treatment. I also used Noir to get the right mix of monochrome highlights in the cloud scene. Next, I brought both images together in Photoforge2, each on its own layer. I set wig girl’s blending mode to Overlay, then selectively hid and revealed bits of each layer via masking. Finally, I did some minor cloning cleanup in Filterstorm, then added the copyright & signature with Phonto. I named this after a U2 song lyric in “Gone,” an expansive rising track that seemed appropriate for this composition.
What’s amazing to me is how, as I’ve become adept with a few apps, I can pull techniques from each of them almost like selecting colors on a palette. It’s like having a box of tools to achieve an artistic vision… that fits in your pocket and makes phone calls, too.


